Kara Walker has a new show up at the Hammer called "My Complement, My Enemy, My Oppressor, My Love," featuring work spanning her entire career. It ends June 8th, so you have plenty of time, but really, go see it. More info here.
Love,
Tess
Kara Walker has a new show up at the Hammer called "My Complement, My Enemy, My Oppressor, My Love," featuring work spanning her entire career. It ends June 8th, so you have plenty of time, but really, go see it.
I know everyone's been talking about MGMT lately, but I really just can't avoid it. When I first heard "Oracular Spectacular," I'll admit, I was a felt pretty indifferent about it. Then I saw the video for "Time To Pretend." I can't stop thinking about it. Really, it's become a problem. I'm thinking of surfing dippin' dot rainbow tubes in physics class. I'm picturing fanged venus fly trap tentacle monsters and exploding dolphins in art. I actually thought of how much better the Mona Lisa would look today in art history with a psychedelic mayan temple behind her, or wearing granny glasses without lenses, or riding a giant purple cat. And "Oracular Spectacular" has been on repeat ever since. Clearly, either I've been brainwashed or somebody did something really right with this video.
There's something about photos from the 60s and 70s that make me really nostalgic. They're just a little bit out of focus, strangely saturated, dreamy and gritty; They really look like they've got history. For people like me, who constantly reference "the good old days" (more like a couple weeks ago) and are endlessly disappointed by modern cameras' inability to capture those perfect (at least in our memories) moments, there is finally hope. The lomographic society has authentically resurrected the "Diana," the $1 plastic 1960s gem that rose to cult stardom after its discontinuation in the 70s. For a still cheap $40, we can at last get photos that mimic our memories: beautiful, a little bit strange, and completely, utterly nostalgic.



